KARLHEINZ STOCKHAUSEN | GRUPPEN FUR 3 ORCHESTER / CARRE FUR 4 ORCHESTER UND 4 CHORE - NZ
HomeStore

KARLHEINZ STOCKHAUSEN | GRUPPEN FUR 3 ORCHESTER / CARRE FUR 4 ORCHESTER UND 4 CHORE - NZ

KARLHEINZ STOCKHAUSEN | GRUPPEN FUR 3 ORCHESTER / CARRE FUR 4 ORCHESTER UND 4 CHORE - NZ

$6.16

Original: $17.60

-65%
KARLHEINZ STOCKHAUSEN | GRUPPEN FUR 3 ORCHESTER / CARRE FUR 4 ORCHESTER UND 4 CHORE - NZ

$17.60

$6.16

The Story

Gruppen and Carré represent pivotal works in Stockhausen's exploration of spatial composition and orchestral innovation during the mid-1950s. Gruppen (1955–57) marks his breakthrough in distributing three orchestras across the concert space, creating a revolutionary approach to musical texture and listener perspective. Carré (1959–60) extends this concept further, positioning four orchestras and four choirs in a square formation, demonstrating his deepening commitment to environmental and spatial dimensions of sound. Together, these compositions establish Stockhausen as a leading figure in the European avant-garde, bridging his earlier serial experiments with his later investigations into moment form and electronic music integration. Both works remain essential documents of mid-century modernism and continue to influence contemporary composers exploring spatial and immersive sound design.

Description

Gruppen and Carré represent pivotal works in Stockhausen's exploration of spatial composition and orchestral innovation during the mid-1950s. Gruppen (1955–57) marks his breakthrough in distributing three orchestras across the concert space, creating a revolutionary approach to musical texture and listener perspective. Carré (1959–60) extends this concept further, positioning four orchestras and four choirs in a square formation, demonstrating his deepening commitment to environmental and spatial dimensions of sound. Together, these compositions establish Stockhausen as a leading figure in the European avant-garde, bridging his earlier serial experiments with his later investigations into moment form and electronic music integration. Both works remain essential documents of mid-century modernism and continue to influence contemporary composers exploring spatial and immersive sound design.